This is something I really want to write about for so long!
Century-old Custom in a New Fashion
Certification means a lot to local bellydance community and in the meanwhile, they sometimes take it too easy after being certificated.
I learn about the concept of certification back to my graduate school years in United States. In our program there is a fine art appraisal class. It is a very interesting class and the instructor, later became my thesis adviser, talked to us about certificated appraiser. It truly refers to someone who is willing to commit certain amount of time and effort to undergo the process and gain qualification of being certificated.
Once you are certificated, you have to make further effort to maintain your certification as well as to prove the validity of your certification. In this way, a certificated appraiser is much respected and trustful since he/she is certificated by a well-reputation association/organization with certain specialty and professionalism. It also means that further concentration and effort are thus required to maintain the certification.
In history, Chinese society had conducted imperial examination for centuries and it was the only way for literali to enter the governmental service system, the only recognized occupation. In sum, we are well trained for and really get accustomed to taking examination historically and socially. Even today, students have to pass fiercely-competitive academic examination for college education. In our value, examination is one of the most convincible methods to be professionally recognized and it is also one of the most accessible and trustful reference indicators for general customers (in this case, it refers to students, studios or any organizations/institutions). We think those who passed certain examinations or certifications are already carefully inspected and thus it is safe to trust them.
New Trend Goes Localized
Once again, bellydance is so new in Taiwan that people need some reference when they want to sign up for bellydance class or hire a bellydance instructor. Certifications by other foreigner dancers or studios are seemingly great indicators since they have longer experiences. It begins with Eva Shen who went to Egypt learning with Mahmound Reda and brought back MCCP system and certification. As one of the first few bellydance certification systems introduced into Taiwan bellydance community, it attracts many students as well as local instructors to sign up for MCCP programs. Few even went to Cairo to be certificated by Mahmound Reda.
It is very interesting that tribal bellydance was mainly brought into Taiwan via certification systems. Texas-based dancer Sakira was sponsored by Kiki Kuan to give the first tribal bellydance workshop in Taiwan and she gave all attendants learning certifications upon the workshop finished. This is another type of certification very popular and common at Taiwan.
Carolena Nericcio came to Taiwan for two GS certification workshops (General Skill) with Megha Gavin of Devyani Dance Company and Devi Mamak of Ghawazi Caravan respectively. The 15-hour program covers all basic concepts and knowledge on ATS including movements, formation, music, etc. Blacksheep Bellydance and Gypsy Caravan also had certification workshops in the past few years.
Nevertheless, the tribal bellyadncer population does not grow as more certification systems are brought in. I learn from other Western colleagues that they mostly have certification workshop after there are certain group of followers or practitioners. In Taiwan, since we are so new and we want to catch up with other colleagues so badly, we don’t want to wait any longer and just eagerly dive into this certification trend. Most of time, those workshop goers don’t have enough training or experience in terms of what they supposed to have before taking the certification workshop, and they often don’t expect anything but getting the certificate paper.
Recently many local associations begin to host their own certification program. This is a positive sign indicating the bellydance community grows mature enough into another stage. For many who wish to find a teaching job at local dance studios or organizations, a piece of certification paper perhaps is one of the most available references to prove their profession. Somehow the content of those local certification programs seemingly are not purely instruction-oriented. Or I should say they are overly instruction-oriented. They often have certain hours of training courses taught by their own teachers from the organization and very rare of them request classes on general understanding of ME culture or related historical knowledge. I was told that some associations even acknowledge watching BDSS performances at Taiwan as official educational credits!
Century-old Custom in a New Fashion
Certification means a lot to local bellydance community and in the meanwhile, they sometimes take it too easy after being certificated.
I learn about the concept of certification back to my graduate school years in United States. In our program there is a fine art appraisal class. It is a very interesting class and the instructor, later became my thesis adviser, talked to us about certificated appraiser. It truly refers to someone who is willing to commit certain amount of time and effort to undergo the process and gain qualification of being certificated.
Once you are certificated, you have to make further effort to maintain your certification as well as to prove the validity of your certification. In this way, a certificated appraiser is much respected and trustful since he/she is certificated by a well-reputation association/organization with certain specialty and professionalism. It also means that further concentration and effort are thus required to maintain the certification.
In history, Chinese society had conducted imperial examination for centuries and it was the only way for literali to enter the governmental service system, the only recognized occupation. In sum, we are well trained for and really get accustomed to taking examination historically and socially. Even today, students have to pass fiercely-competitive academic examination for college education. In our value, examination is one of the most convincible methods to be professionally recognized and it is also one of the most accessible and trustful reference indicators for general customers (in this case, it refers to students, studios or any organizations/institutions). We think those who passed certain examinations or certifications are already carefully inspected and thus it is safe to trust them.
New Trend Goes Localized
Once again, bellydance is so new in Taiwan that people need some reference when they want to sign up for bellydance class or hire a bellydance instructor. Certifications by other foreigner dancers or studios are seemingly great indicators since they have longer experiences. It begins with Eva Shen who went to Egypt learning with Mahmound Reda and brought back MCCP system and certification. As one of the first few bellydance certification systems introduced into Taiwan bellydance community, it attracts many students as well as local instructors to sign up for MCCP programs. Few even went to Cairo to be certificated by Mahmound Reda.
It is very interesting that tribal bellydance was mainly brought into Taiwan via certification systems. Texas-based dancer Sakira was sponsored by Kiki Kuan to give the first tribal bellydance workshop in Taiwan and she gave all attendants learning certifications upon the workshop finished. This is another type of certification very popular and common at Taiwan.
Carolena Nericcio came to Taiwan for two GS certification workshops (General Skill) with Megha Gavin of Devyani Dance Company and Devi Mamak of Ghawazi Caravan respectively. The 15-hour program covers all basic concepts and knowledge on ATS including movements, formation, music, etc. Blacksheep Bellydance and Gypsy Caravan also had certification workshops in the past few years.
Nevertheless, the tribal bellyadncer population does not grow as more certification systems are brought in. I learn from other Western colleagues that they mostly have certification workshop after there are certain group of followers or practitioners. In Taiwan, since we are so new and we want to catch up with other colleagues so badly, we don’t want to wait any longer and just eagerly dive into this certification trend. Most of time, those workshop goers don’t have enough training or experience in terms of what they supposed to have before taking the certification workshop, and they often don’t expect anything but getting the certificate paper.
Recently many local associations begin to host their own certification program. This is a positive sign indicating the bellydance community grows mature enough into another stage. For many who wish to find a teaching job at local dance studios or organizations, a piece of certification paper perhaps is one of the most available references to prove their profession. Somehow the content of those local certification programs seemingly are not purely instruction-oriented. Or I should say they are overly instruction-oriented. They often have certain hours of training courses taught by their own teachers from the organization and very rare of them request classes on general understanding of ME culture or related historical knowledge. I was told that some associations even acknowledge watching BDSS performances at Taiwan as official educational credits!
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